Such considerations seemingly inevitably lead him to regretting the dominance of homosexual artists in the post Abstract Expressionist art world and we pick him up here, speculating on the impact of so many successful queer artists. 2 In this interview, Arnheim had just complained about the dominance of women in American family life and how our 'woman-centered society' had made American boys much weaker than their European counterparts. PASSIVE RESISTANCE: ON THE SUCCESS OF QUEER ARTISTS IN COLD WAR AMERICAN ART Jonathan Katz Part 1: 'the masculine quality of creating things.' 1 In an unpublished l962 interview, the art historian Rudolph Arnheim exemplifies a particular kind of response to the work of Jasper Johns and Robert Rauschenberg, one colored by a decade of Abstract Expressionist hegemony and its discursive legacy.
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